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Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.

Emma and Peterson encounter their fierce predator Voyte Parker, a cop confronts his son's murderer, and a man finds his wife is cheating on him. Intersecting story lines; murderers, coppers, teachers and teenagers.

A family in extreme poverty is forced to make a series of sacrifices in order to survive.

Jo teaches ‘difficult’ children—American style. Young Helen, one of her most rebellious pupils, teaches horse-riding—Cotswold style. Who is going to learn the most?

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Comedic animation series explaining the mating habits of various creatures.

Things get steamy and deadly in this Hollyoaks feature length special video spin off. Join Izzy, Geri, Ben, Luke and Jason in this cliffhanger which could change things in Chester forever.

A consumerist family tries to sway one of their members to take part in mass consumption.

Rand film's love drama Môre-Môre is based on the popular radio serial of Jan Scholtz. The story is set in a small rural town and go over Lana, a matric girl who falls in love with her ​​teacher and with the petty and ruthless actions of the people in the town. One of the school's boys jealousy about the relationship reaches a climax when, during a sports event try the teacher with a spear throwing died. Lana is played by Sybel Coetzee, Hans Strydom, the teacher and Johannes Slabbert played the role of the schoolboy. Other well-known players Ana Neethling-Pohl, Jan Bruyns, David van der Walt, Tobie Cronje and Iris Coertze. Môre-Môre was produced in 1973. Elmo de Witt was the director and Jan Scholtz wrote the screenplay.